When Ana looked for me for these photos, I immediately thought that they lent themselves to look for a classic appearance, lights and shadows typical of the paintings of the Baroque flamenco.
The idea was to take advantage of Ana's talent, not only with the bar, but as a ballet dancer, and give the feeling that gravity has been suspended.
The lighting was simple, a large side light and a light for the background. I thank the work of my friend Mario for he had the complicated task of holding the bar from below so that it did not turn with Ana's movements.
The idea was to take advantage of Ana's talent, not only with the bar, but as a ballet dancer, and give the feeling that gravity has been suspended.
The lighting was simple, a large side light and a light for the background. I thank the work of my friend Mario for he had the complicated task of holding the bar from below so that it did not turn with Ana's movements.
