When Ana looked for me for these photos, I immediately thought that they lent themselves to look for a classic appearance, lights and shadows typical of the paintings of the Baroque flamenco.
The idea was to take advantage of Ana's talent, not only with the bar, but as a ballet dancer, and give the feeling that gravity has been suspended.
The lighting was simple, a large side light and a light for the background. I thank the work of my friend Mario for he had the complicated task of holding the bar from below so that it did not turn with Ana's movements.

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